Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
H M S victory
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ID: 61431

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unknow artist H M S victory


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unknow artist

  Related Paintings of unknow artist :. | Colonel James Skinner on a Prancing Horse | Horseback Rider at Echo Lake | What be able product more forskrackligt an the bolmande black kolroken stamp the angdrivna bogserbaten | Venus and Cupid | Wartownik |
Related Artists:
Agustin Esteve
Spanish, 1753-died circa 1820
Boris Kustodiev
1878-1927 Russian Boris Kustodiev Galleries The Russian Revolution of 1905, which shook the foundations of society, evoked a vivid response in the artist's soul. He contributed to the satirical journals Zhupel (Bugbear) and Adskaya Pochta (Hell??s Mail). At that time, he first met the artists of Mir Iskusstva (World of Art), a group of innovative Russian artists. He joined their association in 1910 and subsequently took part in all their exhibitions. In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical Russian literature, including Nikolai Gogol's Dead Souls, The Carriage, and The Overcoat; Mikhail Lermontov's The Lay of Tsar Ivan Vasilyevich, His Young Oprichnik and the Stouthearted Merchant Kalashnikov; and Leo Tolstoy's How the Devil Stole the Peasants Hunk of Bread and The Candle. In 1909, he was elected into Imperial Academy of Arts. He continued to work intensively, but a grave illness??tuberculosis of the spine??required urgent attention. On the advice of his doctors he went to Switzerland, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted The Merchant's Wife, which became the most famous of his paintings. The Merchant's Wife, (1918).In 1916, he became paraplegic. "Now my whole world is my room", he wrote. His ability to remain joyful and lively despite his paralysis amazed others. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life. His Pancake Tuesday/Maslenitsa (1916) and Fontanka (1916) are all painted from his memories. He meticulously restores his own childhood in the busy city on the Volga banks. In the first years after the Russian Revolution of 1917 the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations. His covers for the journals The Red Cornfield and Red Panorama attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in lithography, illustrating works by Nekrasov. His illustrations for Leskov's stories The Darner and Lady Macbeth of the Mtsensk District were landmarks in the history of Russian book designing, so well did they correspond to the literary images.
Jean Pillement
French Rococo Era Painter , 1728-1808 was a painter and designer, known for his exquisite and delicate landscapes, but whose importance lies primarily in the engravings done after his drawings and their influence in spreading the Rococo style, and particularly the taste for chinoiserie, throughout Europe. Pillement, born in Lyon, had an unusually cosmopolitan career. He moved from Paris, working for the Gobelin factory to Lisbon, where the need to rebuild after the disastrous 1755 earthquake had created many opportunities. There he was working in Queluz (Sintra) and for the Dutch consul, the known art collector Jan Gildemeester. Pillement spend eight years in England, fully exploiting the English taste for landscapes. There the paintings by Nicolaes Berchem inspired him. Pillement came acquainted with David Garrick, a famous actor, and his Austrian wife Eva Maria Weigel, collectors of his work in England. Pillement went to Vienna and in 1765 he went to Warsaw, decorating the Royal Castle in Warsaw and the Ujazdowski Castle, his largest project, commissioned by Stanisaw August Poniatowski. He also worked in Saint Petersburg, the Piedmont, Milan, Rome, Venice. Pillement travelled to Paris to work for Marie Antoinette in the Petit Trianon.






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